Being Positive: The Lives of Men and Women with HIV
Author: Robert Klitzman
The clearest picture we have of what life is like for men and women who have been diagnosed HIV positive, based upon unique in-depth interviews and remarkable for its candor. An unforgettable picture of what extremity looks like and how it is dealt with. --Clifford Geertz
Journal of the American Medical Association
Being Positive provides many important lessons and messages for health care workers as they try to fit into the priorities and actual lives of people living with the virus. The title symbolizes both HIV positivity and the attitude of those affected. Dr Klitzman's stories reveal not only appropriate coping mechanisms, but actual psychological, social, and spiritual growth resulting from the struggle his subjects have faced in getting on with their lives...in being able to both be positive and be HIV positive.
Journal of Gay & Lesbian Psychotherapy
What distinguishes this series of narratives from others is the observation and reflection on...experiences of those...represented in the book.
Library Journal
Parts of this book are difficult to read. Included here are stories of people rejected by their family, living on the streets, neglecting their children, drinking too much, shooting up too much, and not caring nearly enough. But there are inspirational stories as well. Psychiatrist Klitzman (In a House of Dreams and Glass, LJ 3/1/95), who conducted in-depth interviews with people who contracted HIV through sexual contact or IV drug use, noticed six patterns of how they deal with their HIV status: the alternative culture of HIV social organizations, spirituality, focused work and volunteerism, turning to their families, minimizing their illness or denying it, and seeking relief of stress through drugs and alcohol. Some souls try all six. An insightful work; recommended for medical and academic libraries.Lee Arnold, Historical Society of Pennsylvania, Philadelphia
Booknews
In-depth interviews with a broad cross-sections of people with HIV provide a compassionate portrait of their losses, strengths, and attitudes, and their ability to finding meaning in life. Looks at patterns of spiritual beliefs, work and volunteer activities, and family relations through perspectives from anthropology, existential psychiatry, and depth psychology. Annotation c. by Book News, Inc., Portland, Or.
What People Are Saying
Fenton Johnson
I know of no higher praise than to name a book necessary. Being Positive is that and more.
— author of Geography of the Heart.
Clifford Geertz
An unforgettable picture of what extremity looks like...intense.
Interesting book: Hard up and Hungry or Insatiable
A Million Little Pieces
Author: James Frey
“The most lacerating tale of drug addiction since William S. Burroughs’ Junky.” —The Boston Globe
“Again and again, the book delivers recollections that leave the reader winded and unsteady. James Frey’s staggering recovery memoir could well be seen as the final word on the topic.”—San Francisco Chronicle
“A brutal, beautifully written memoir.”—The Denver Post
“Gripping . . . A great story . . . You can’t help but cheer his victory.” —Los Angeles Times Book Review
Entertainment Weekly
[A] thoroughly engrossing memoir...
The San Francisco Chronicle
[I]t gives away nothing to say that he finds himself whole at the end of A Million Little Pieces. How that came to be would be a first-rate tale of suspense, if it weren't drawn so hideously from an actual life.—James Sullivan
Publishers Weekly
For as long as he can remember, Frey has had within him something that he calls "the Fury," a bottomless source of anger and rage that he has kept at bay since he was 10 by obliterating his consciousness with alcohol and drugs. When this memoir begins, the author is 23 and is wanted in three states. He has a raw hole in his cheek big enough to stick a finger through, he's missing four teeth, he's covered with spit blood and vomit, and without ID or any idea where the airplane he finds himself on is heading. It turns out his parents have sent him to a drug rehab center in Minnesota. From the start, Frey refuses to surrender his problem to a 12-step program or to victimize himself by calling his addictions a disease. He demands to be held fully accountable for the person he is and the person he may become. If Frey is a victim, he comes to realize, it's due to nothing but his own bad decisions. Wyman's reading of Frey's terse, raw prose is ideal. His unforgettable performance of Frey's anesthesia-free dental visit will be recalled by listeners with every future dentist appointment. His lump-in-the-throat contained intensity, wherein he neither sobs nor howls with rage but appears a breath away from both, gives listeners a palpable glimpse of the power of addiction and the struggle for recovery. Simultaneous release with the Doubleday hardcover (Forecasts, Mar. 10). (May) Copyright 2003 Reed Business Information.
Library Journal
Frey wakes up on an airplane with four broken teeth, a broken nose, a massive cut on his cheek, and unsure where he is or where he's going. Where he ends up is a residential treatment center based in Minnesota. This is the story of his experiences in that center as an addict and alcoholic. Listeners will meet the residents, including some who helped Frey continue his treatment and his work toward sobriety. The author's tale is brutal and honest, providing a realistic view of the life of an addict, something not for the faint of heart. It's full of profanity and graphic depictions of violence and drug use. In fact, Frey's description of the repair of his teeth without painkillers or anesthesia may keep people from ever going to the dentist again. That said, this presentation, read by Oliver Wyman, is an important addition for all library collections. Organizations that provide support for substance abusers, counseling centers, and prison libraries also should consider purchase.-Danna Bell-Russel, Library of Congress Copyright 2003 Reed Business Information.
School Library Journal
Adult/High School-Frey's high school and college years are a blur of alcohol and drugs, culminating in a full-fledged crack addiction at age 23. As the book begins, his fed-up friends have convinced an airline to let him on the plane and shipped him off to his parents, who promptly put him in Hazelden, the rehabilitation clinic with the greatest success rate, 20 percent. Frey doesn't shy away from the gory details of addiction and recovery; all of the bodily fluids make major appearances here. What really separates this title from other rehab memoirs, apart from the author's young age, is his literary prowess. He doesn't rely on traditional indentation, punctuation, or capitalization, which adds to the nearly poetic, impressionistic detail of parts of the story. Readers cannot help but feel his sickness, pain, and anger, which is evident through his language. Ken Kesey's One Flew over the Cuckoo's Nest (Viking, 1962) seems an apt comparison for this work-Frey maintains his principles and does not respect authority at all if it doesn't follow his beliefs. And fellow addicts are as much, if not more, help to him than the clinicians who are trying to preach the 12 steps, which he does not intend to follow in his path to sobriety. This book is highly recommended for teens interested in the darker side of human existence.-Jamie Watson, Enoch Pratt Free Library, Baltimore Copyright 2003 Reed Business Information.
Kirkus Reviews
Frey's lacerating, intimate debut chronicles his recovery from multiple addictions with adrenal rage and sprawling prose. After ten years of alcoholism and three years of crack addiction, the 23-year-old author awakens from a blackout aboard a Chicago-bound airplane, "covered with a colorful mixture of spit, snot, urine, vomit and blood." While intoxicated, he learns, he had fallen from a fire escape and damaged his teeth and face. His family persuades him to enter a Minnesota clinic, described as "the oldest Residential Drug and Alcohol Facility in the World." Frey's enormous alcohol habit, combined with his use of "Cocaine . . . Pills, acid, mushrooms, meth, PCP and glue," make this a very rough ride, with the DTs quickly setting in: "The bugs crawl onto my skin and they start biting me and I try to kill them." Frey captures with often discomforting acuity the daily grind and painful reacquaintance with human sensation that occur in long-term detox; for example, he must undergo reconstructive dental surgery without anesthetic, an ordeal rendered in excruciating detail. Very gradually, he confronts the "demons" that compelled him towards epic chemical abuse, although it takes him longer to recognize his own culpability in self-destructive acts. He effectively portrays the volatile yet loyal relationships of people in recovery as he forms bonds with a damaged young woman, an addicted mobster, and an alcoholic judge. Although he rejects the familiar 12-step program of AA, he finds strength in the principles of Taoism and (somewhat to his surprise) in the unflinching support of family, friends, and therapists, who help him avoid a relapse. Our acerbic narrator conveys urgency and youthfulspirit with an angry, clinical tone and some initially off-putting prose tics--irregular paragraph breaks, unpunctuated dialogue, scattered capitalization, few commas--that ultimately create striking accruals of verisimilitude and plausible human portraits. Startling, at times pretentious in its self-regard, but ultimately breathtaking: 'The Lost Weekend' for the under-25 set.
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